Category Archives: Exhibitions

Ending Indenture in the British Empire: the ‘quiet abolition’

It’s a century since indenture, the system which immediately replaced slavery in parts of the former British Empire, was ended. Dr Maria del Pilar Kaladeen has been working on a number of events to commemorate the centenary of the abolition of indenture in the British Empire—as she has termed it ‘the quiet abolition.’ Quiet because it’s been a challenge to engage the public with this commemoration, as the history of indenture has been so little known.

See Dr del Pilar Kaladeen’s blogpost here – there are links from there to her research and to an exhibition she curated in London, as well as to a conference to be held next week at Senate House in London.

 

Framing Slavery in Eighteenth-Century French Portraiture at the Château des Ducs de Bretagne

This is an excellent article about the way that the curators at the Musée de l’Histoire de Nantes have displayed the portraits of Dominique and Marguerite Deurbroucq—and in particular, the way that the curators draw museum-goers’ attention to the enslaved Africans depicted in the portraits.

Age of Revolutions

By Nathan H. Dize

In May 2015, theMusée de l’Histoire de Nantes welcomed two of their most influential citizens of the eighteenth century to their permanent collection. The museum, housed in the Château des Ducs de Bretagne, received two portraits – one of Dominique Deurbroucq and the other of his wife Marguerite – both of which feature prominently in the main exhibition on Atlantic slavery and the slave trade in Nantes. Painted in 1753 by Pierre-Bernard Morlot, the Deurbroucqs are portrayed in all of the luxe of the century, accompanied by their domestic slaves who lived with them in Nantes.  I recently visited the collection and was particularly interested in the framing of these two portraits within the narrative of the tran-Atlantic slave trade and the history of Nantes.

Screen Shot 2017-05-21 at 10.55.21 AM Pierre-Bernard Morlot, Portraits des Deurbroucq, 1753. (Photo credit to Nathan H. Dize)

For museums, memorial sites, and monuments, context…

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“The Paradise of the World:” conflict and society in the Caribbean

While doing some background research on the indigenous people of St.Vincent, I came across a great online exhibition on the King’s College London website. “The Paradise of the World:” conflict and society in the Caribbean” was originally held at KCL in 2011, but is now available as an online exhibition. This is such a great way to share resources and information—I love seeing exhibitions migrate from the real world to the online arena so that researchers can make use of the content for years afterwards.

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‘Chatoyer, the Chief of the Black Charaibes in St Vincent with his five wives,’ from Bryan Edwards, The history, civil and commercial, of the British colonies in the West Indies (London, 1807).

The exhibition drew largely upon the holdings of the historical library collection of the British Foreign and Commonwealth Office and explored the history of the Caribbean region from the sixteenth century to 1900. Because the exhibition is based on British documentation and literature, the exhibition clearly approaches the Caribbean form the perspective of British interaction with the region. The exhibition provides an overview of Britain’s relationship with Spain as it relates to the Caribbean, international rivalry, the sugar trade and revolts and revolution in Jamaica and Haiti. and the development of the sugar industry and trade. In relation to indigenous peoples in the Caribbean (which is how I stumbled across the exhibition), there is a very good overview of indigenous peoples of Guyana and St.Vincent as well as some material on Jacques Du Tetre’s interaction with indigenous people in the region and his writings. Finally, the exhibition covers emancipation, and nineteenth century Caribbean colonial life.

This exhibition would be very useful for introductory research on the Caribbean (particularly the British Caribbean), and it includes a number of primary sources such as books, artwork and documentation which are available online. Click here to go to the KCL exhibition.

 

A collection of more than 70 historical photographs go on display later this month  in a free exhibition at Rivington Place in London. ‘Making Jamaica’ explores how a new image of Jamaica was created through photography in the 1890s. The images are being exhibited in London for the first time, and are drawn from the Caribbean Photo Archive. If you’re in London and get to the exhibition, please report back! It looks well worth visiting.

 

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Jamaica Boys—Brown & Dawson, c.1890. Caribbean Photo Archive.

This is a link to the exhibition details: Making Jamaica  and this is a link to a recent article about the exhibition in the Guardian, which includes a gallery of some of the photographs: Gallery