A Paris art gallery renames paintings to focus on their black subjects

The Musée d’Orsay in Paris has just opened an exhibition entitled ‘Le modèle noir De Géricault à Matisse,’ which attempts to restore the identities and perspectives of black figures depicted on canvas but largely written out of history. This article from the Washington Post focuses on one artwork in the exhibition. The painting by Marie-Guillemine Benoist has hung in the Louvre for decades under the title ‘Portrait of a black woman.’ In the new exhibition, the subject of the painting is named – it is entitled ‘Portrait of Madeleine’ because it is a portrait of an emancipated, formerly enslaved woman from Guadeloupe who worked in the home of the artist’s brother-in-law.  The exhibition addresses France’s role in the slave trade and the manifestation of the debate over slavery in the arts of the period.

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Marie-Guillemine Benoist, ‘Portrait d’une femme noire’ (1800), © Musée du Louvre

For more – click here for the Washington post article  and here for the exhibition website.

 

 

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